The ascent of a music conducting expert : Kentucky’s Logan Blackman: Nardolillo says Blackman’s piece is nicely paired with the major work on Friday’s concert, Mahler’s “Titan” symphony. Both are rooted in deep, compelling emotions that will be clear to the audience. For Blackman, it’s emotion rooted in a painful memory, but he says he has been able to revisit it without being overwhelmed by the pain of his parents’ deaths. “I was 15 when they passed away, and since then, I have always dealt with it very well,” he says. “I’ve never really understood how. It’s not easy, by any means, but every time I hear it, every time I think about it, it makes it more meaningful. Personally, on my own side, it’s a good way to hash out thoughts and feelings that I might not have already hashed out.” See extra info on Logan Blackman.
What first inspired you to pursue music? Logan J. Blackman : Believe it or not, Davy Jones from Pirates of the Caribbean Dead Man’s Chest. The summer it came out, I was captivated by the famous scene where he played his theme at the organ. I had a very basic knowledge of music, and we had some keyboards around. So I started playing around and eventually figured the piece out by ear. That led me to wanting to take organ lessons, which eventually led to a great love of music and a career that would keep going nearly two decades later!
John Nardolillo has appeared with more than 30 of the country’s leading orchestras, including the Boston Pops, the National Symphony, and principal orchestras of Seattle, San Francisco, Detroit, Atlanta, Dallas, Milwaukee, Utah, Columbus, Indianapolis, Oregon, Fort Worth, Buffalo, Alabama, Louisville, Missouri, North Carolina, Toledo, Vermont, Columbus, Omaha and Hawaii. He also recently conducted concerts at the Kennedy Center in Washington, D.C.; the Kimmel Center in Philadelphia; and Carnegie Hall in New York. Nardolillo made his professional conducting debut in 1994 at the Sully Festival in France, and has since made conducting appearances in the United States, France, Germany, Italy, Norway, Sweden, Denmark and China. He has led major American orchestras in subscription series concerts, summer and pops concerts, education concerts and tours, and for television and radio broadcasts. In 2004 Nardolillo joined the faculty at the UK School of Music, where he is currently serving as the director of orchestras.
In the next segment, Nardolillo playfully interacted with the audience in a little practice for our participation in two numbers from the Symphonic Dances from West Side Story. Along with the chorus, and before the orchestra came back on stage (he wanted to surprise them), he had us snapping our fingers in the Prologue and yelling “Mambo” in the fourth movement by the same name. We followed through and did no harm—Bernstein would have approved. The orchestra, of course, brought West Side Story back to life with these eleven Symphonic Dances. It made you want to sing and dance. Fortunately, no one tried but it set the tone for What a Movie from Trouble in Tahiti with Logan Blackman conducting and mezzo soprano Audrey Adams as soloist; Three Dance Episodes from On the Town, and Glitter and be Gay from Candide with James Burton conducting, and soprano Jessica Bayne as soloist.
With a passion for composing, Blackman finds writing his own work very rewarding. “After I put down the last note, I love looking back at the work as a whole and admiring what I have created. To me that is one of the greatest feelings in the world!” Blackman, who chose UK for his studies based on Lexington and the school’s orchestra and faculty, is excited for the opportunity to share his music with a Bluegrass audience at the next UK Symphony Orchestra concert. “This is the greatest honor of my life so far. It is an honor to premiere a work with such a distinguished ensemble, but it is an even greater honor to bring it to life with my friends and colleagues. I am very grateful for this amazing opportunity.” Discover more information on Logan J. Blackman.