Get to know Sabra Pegler Brainerd Minnesota and some of her creative writer thoughts: Write sooner. The novel writing process can quickly become paralyzing because of its size and importance. It is a project that will be reviewed rigorously by your advisor and your committee, and your graduation depends on your successful completion and defense. Facing these realities can be daunting and tempt you to wait until you can determine that you’ve researched or thought enough about the topic. Yet, the longer you delay writing, the more difficult it will be to actually start the process. The answer to your paralysis is to start writing. Are you unsure of your argument or not fully convinced you have done the requisite research? You may be right: your argument may not be airtight, and you may need to do more reading; but you will be able to determine to what degree these problems need attention when you start writing. Productivity begets productivity, and you will be amazed at how arguments take shape and the direction of your research is forged as you write.
Don’t get stuck on introductions. This is a basic writing principle, but one that bears repeating here: write the body of a given chapter or section and then return to the introductions. It is usually easier to introduce something that you have already written for the simple fact that you now know what you are introducing. You might be tempted to write the introduction first and labor to capture your reader with a gripping illustration or perfect quote while refusing to enter into the body of your paper until your preliminary remarks are flawless. This is a sure recipe for frustration. Wait until you have completed a particular section or chapter’s content until you write introductions. This practice will save you time and loads of trouble.
In the dissertation literature review chapter or section, you shouldn’t just summarise existing studies, but develop a coherent structure and argument that leads to a clear basis or justification for your own research. For example, it might aim to show how your research: Addresses a gap in the literature; Takes a new theoretical or methodological approach to the topic; Proposes a solution to an unresolved problem; Advances a theoretical debate; Builds on and strengthens existing knowledge with new data. The literature review often becomes the basis for a theoretical framework, in which you define and analyse the key theories, concepts and models that frame your research. In this section you can answer descriptive research questions about the relationship between concepts or variables. See additional details on Sabra Pegler Brainerd Minnesota.
Create an Outline: creating an outline can help you organize your thoughts and ideas. It can also help you avoid getting lost in the details and losing sight of the big picture. Start by outlining the main points you want to make, then break them down into sub-points. Once you have a solid outline, you’ll have a roadmap to follow as you write. Develop Characters and Plot: creating compelling characters and plotlines is critical to engaging your readers. Spend time developing your characters’ personalities, motivations, and conflicts. Create a compelling plot that keeps your readers hooked and wanting more.
Who is Sabra Pegler Brainerd Minnesota and some of her freelance writer accomplishments: Make it specific. Instead of Love, for example, write about “the love between my parents.” Then try making it even more specific: “the love between my parents and the silent ways it shows itself when they are eating dinner together.” Try relating it to a certain person, place, event. Love, Death, Anger, Beauty — these concepts do not occur in a vacuum. They are not grown in test tubes. They are experienced by individual people, in particular situations. And our deepest understanding of these concepts is at the human level, through the ways they touch us personally and the people around us. Creating this human connection will give your poem a stronger emotional power for your reader. And it puts your idea in a form where you can observe it carefully and discover aspects of it that have never been described before.
But don’t let good feelings stop you from working. I have the bad habit of working furiously to meet a deadline and then riding the endorphin rush of finishing the work for weeks. Don’t get distracted by small feelings of accomplishment: finishing one page means that you are now ready to write the next one, after all. Know that you can do it. You’ve got this, seriously. If I can do it, you can do it. It’ll be great. But remember to start writing again. Short breaks are awesome! Take a week off to focus on grading 150 papers. Take off two weeks to prepare for job interviews. But then start writing again. Academic work is always a balancing act between various pressures, and you have to get used to carving out time for writing next to all of your responsibilities. We likely all know that guy who is on his 7th year of writing because he “can’t find the time” to write. Don’t be that guy. To that end…
Assonance is when vowel sounds are repeated in two or more words that are close to each other in the poem and have different consonants. An example of this would be “The octopus flopped on the cot – kerplop!” Several words in the example contain the short “o” sound, but the words contain different consonants. Read more info at Sabra Pegler from Brainerd Minnesota.